WISe.ART to NFT a Major Picasso Art Case for Two Violins Including the Original Art Piece

In This Article:

Wisekey International Holding SA
Wisekey International Holding SA

 

WISe.ART to NFT a Major Picasso Art Case for Two Violins Including the Original Art Piece


NFT and Art Design by Pedro Sandoval

(see video here)

Geneva, Madrid and New York - July 25, 2022 - WISeKey International Holding Ltd. (“WISeKey”) (SIX: WIHN, NASDAQ: WKEY), a leading global cybersecurity, AI, Blockchain and IoT company, today announced that its WISe.ART 2.1 NFT Marketplace will create an NFT for a major cubist art piece by Picasso Art “The Magic Violin” as a phygital package including the original artwork and a hologram version of the NFT which will be broadcasted in two different museums simultaneously using the latest hologram technology.

Picasso who was greatly influenced by Japanese art in the early 20th Century was passionate about cutting out shapes of cardboard and any other material like metal, wood and paper, which then he could shape and split into geometrical forms, flattening 3Ds into two dimensional renderings.

Artists around Picasso cut, glued, and assembled everyday life materials which they found in their studios like newspapers, wallpaper scraps, music scores. The shapes of the cut-outs were simple geometrical shapes. Their use was critical to the evolution of Cubism. It allowed color to be reintroduced in order to suggest a certain depth by superimposing different planes. It answered a profound need to explode the accepted canons of art to appropriate the concrete realities of an industrialized world. The use of pasted paper can be divided into three distinct periods. The first, to which the “Magic Violin” belongs, employs a framework, either painted or drawn, which sets up a dialogue with the pasted pieces of newspaper, colored paper or, as in this case, music scores. The second period, between February 1913 and the early spring of that year, saw the use of the real object as a form of expression, clearing the way for what was to be called synthetic Cubism. In the third period, between March 1914 and the beginning of summer Picasso experimented with the effect of materials.

In his video, Pedro Sandoval romanticises a true story where two violins were stolen from Le Douanier Rousseau (another French artist known for his “naïve” renderings of nature) in Paris. The case holding the two violins was left empty. Picasso who greatly admired the saddened artist replaced the violins with a cut out shape of a violin and placed it in the empty case for his friend. The case with the cardboard violin is now the property of a Spanish collector, Marco Salazar Ruiz’ grandson.

The art piece was recently exhibited as follows: