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Here’s the problem with publishers’ book discovery problem

Conferences are most useful when they shift your thinking in some way. Those moments are rare, but I got to enjoy two of them this week at two separate conferences — Book^2 Camp, a book publishing “un-conference,” in New York on Sunday and the much larger O’Reilly Tools of Change Conference on Wednesday and Thursday. I came away with some new thoughts on discoverability and walled gardens — concepts that have been thrown around a ton in the past year or so, including sometimes by myself.

Discoverability is a problem for publishers, maybe not so much for readers

This post on why online book discovery is broken and how to fix it got the most comments of any post I’ve ever written, and a couple commenters complained that the solutions I offered in that post were aimed at publishers, not readers. That might be because discovery is more of a problem for publishers than readers: It is in publishers’ best interest to help readers find a not-so-well-known book, but it is not necessarily in readers’ best interest to read that book. It’s also unclear whether the average reader is really having all that much trouble finding the next book he or she wants to read.

A Book^Camp session led by Jeff O’Neal and Rebecca Schinsky of BookRiot focused on the “average” reader, a person who reads at most a few books per year. (Recent Pew data shows that of the 75 percent of Americans who read at least one book in 2012, the median number of books read was six.) This session was, not surprisingly, filled with bookish people who read at least a book a week, so I suggested that we think about areas of media consumption in which we, ourselves, are average.

For me that’s music and movies. I’m an avid reader — I spend a lot of time thinking about what I will read next and searching for books and talking to people about books — but I don’t put that level of effort into finding which songs to listen to next or which movie to watch. Instead, I kind of wait for things to rise to the surface. When something finally breaks through to the point where I’ve heard about it enough, through various internet and non-internet sources, I consume it.

This is why I saw Argo three months after it was released and will maybe get around to watching Zero Dark Thirty some time in 2014. It’s why I mostly listen to the radio on Spotify. I’m not really proud of this, but I’m not that embarrassed by it either. If I put as much effort into consuming movies and music as I do into reading books, I would have way less time to read. I’d rather read, so something’s gotta give.