Inside the world's greatest scavenger hunt, Part 3


GISHWHES stands for the Greatest International Scavenger Hunt the World Has Ever Seen. Teams of 15 have one week to complete a list of 200 difficult, charitable, or hilarious tasks. They prove they’ve completed each item by submitting a photo or video of it; their $20 entry fees go to a charity, and the winning team gets a trip to an exotic location.

This is Part 3 of our five-part report on the hunt.

Part 1 Part 2 • Part 3 • Part 4 Part 5

Part 3: GISHWHES for Good

Each August, as the world’s largest scavenger hunt is under way, the general public is usually unaware—except when teams perform their tasks in public places. Recent tasks have included:

  • Hug someone you love, motionless, in a very crowded location, for 20 minutes without moving—and time-lapse it.

  • Stand in a crowded public place. Ask people to sign a petition to Save The Endangered Unicorns.

  • Get everyone on a subway, bus, or train car to sing “Over the River and Through the Woods.” There must be at least 8 passengers (random commuters, not your friends).

But each year, the list also includes challenges to perform acts of kindness. For example:

  • Write and mail a thank-you letter to a teacher or mentor from your past that you never sufficiently thanked.

  • Have a tea party with a special-needs child or pediatric cancer patient, dressed as a character from “Alice in Wonderland.”

  • More than 10% of veterans returning from war suffer post-traumatic stress syndrome. Post an image of you next to an armed serviceman, with you holding up a sign with a message of gratitude to them and soldiers worldwide.

But for hunt creator Misha Collins (a star of the WB series “Supernatural”), neither GISHWHES nor acting were part of his life’s original master plan.

“[After college,] my objective was to go to law school and somehow try to make a positive impact on the world,” he says. “I thought probably the best way to do that was to go into politics. This was, you know, my 20-year-old brain.

“I was interning at the White House, but I just didn’t love the machine that I saw. I was very naive. I was exposed to this weird environment of, like, nepotism and yea-saying that I wasn’t inspired by.”

So he switched paths.

“I had this great get-rich-quick/make-an-impact scheme: ‘I’ll just go to Hollywood and I’ll become an actor and I’ll get famous enough that I can then leverage that celebrity into doing things.’”

Off he went to Los Angeles. “I thought, like, I’d be the next Leonardo DiCaprio in a couple of months. It took me 10 years to get on a TV show.

And once I’d achieved a certain modicum of, you know, C-list celebrity, that desire to try to use my celebrity for some other purpose resurfaced.”